Ask Uncle Samael
luciantheseeker:

fyeahcreepyshit:

Submitted by spirited-astray
Many classic horror icons and other disturbing creatures share common characteristics. Pale skin, dark, sunken eyes, elongated faces, sharp teeth, and the like. These images inspire horror and revulsion in many, and with good reason. The characteristics shared by these faces are imprinted in the human mind.
Many things frighten humans instinctively. The fear is natural, and does not need to be reinforced in order to terrify. The fears are species-wide, stemming from dark times in the past when lightning could mean the burning of your tree home, predators could be hiding in the dark, heights could make poor footing lethal, and a spider or snake bite could mean certain death.
The question you have to ask yourself is this:
What happened, deep in the hidden eras before history began, that could effect the entire human race so evenly as to give the entire species a deep, instinctual, and lasting fear of pale beings with dark, sunken eyes, razor sharp teeth, and elongated faces?
… Just be careful out there.

^^This

Die Antwoord!  I love her.
I’d argue that this and this is why we are instinctually terrified.
And the pale sunken part is easy.  They’re the traits of a corpse.  Revulsion is naturally triggered in humans because corpses carry disease, not to mention the stigma associated with death.  The paleness is pallor, and the gums and skin recede, making the teeth appear sharp, nails claw-like, and face gaunt and shadowed.  We can look at vampires and Nosferatu as classic examples.  The Watchers were also depicted as pale skinned and predatory, marking them as not quite alive to Middle Easterners.
The only monsters out there are the ones we create.  

luciantheseeker:

fyeahcreepyshit:

Submitted by spirited-astray

Many classic horror icons and other disturbing creatures share common characteristics. Pale skin, dark, sunken eyes, elongated faces, sharp teeth, and the like. These images inspire horror and revulsion in many, and with good reason. The characteristics shared by these faces are imprinted in the human mind.

Many things frighten humans instinctively. The fear is natural, and does not need to be reinforced in order to terrify. The fears are species-wide, stemming from dark times in the past when lightning could mean the burning of your tree home, predators could be hiding in the dark, heights could make poor footing lethal, and a spider or snake bite could mean certain death.

The question you have to ask yourself is this:

What happened, deep in the hidden eras before history began, that could effect the entire human race so evenly as to give the entire species a deep, instinctual, and lasting fear of pale beings with dark, sunken eyes, razor sharp teeth, and elongated faces?

… Just be careful out there.

^^This

Die Antwoord!  I love her.

I’d argue that this and this is why we are instinctually terrified.

And the pale sunken part is easy.  They’re the traits of a corpse.  Revulsion is naturally triggered in humans because corpses carry disease, not to mention the stigma associated with death.  The paleness is pallor, and the gums and skin recede, making the teeth appear sharp, nails claw-like, and face gaunt and shadowed.  We can look at vampires and Nosferatu as classic examples.  The Watchers were also depicted as pale skinned and predatory, marking them as not quite alive to Middle Easterners.

The only monsters out there are the ones we create.  

When you have bitchface
I WANT BOTH OF THEM :D

I WANT BOTH OF THEM :D

luciantheseeker:


douglaswol:
Julie D’Aubigny was a 17th-century bisexual French opera singer and fencing master who killed or wounded at least ten men in life-or-death duels, performed nightly shows on the biggest and most highly-respected opera stage in the world, and once took the Holy Orders just so that she could sneak into a convent and bang a nun. If nothing in that sentence at least marginally interests you, I have no idea why you’re visiting this website. (via Badass of the Week: Julie D’Aubigny, La Maupin)

We fencers are badddasssss

luciantheseeker:


douglaswol
:

Julie D’Aubigny was a 17th-century bisexual French opera singer and fencing master who killed or wounded at least ten men in life-or-death duels, performed nightly shows on the biggest and most highly-respected opera stage in the world, and once took the Holy Orders just so that she could sneak into a convent and bang a nun. If nothing in that sentence at least marginally interests you, I have no idea why you’re visiting this website. (via Badass of the Week: Julie D’Aubigny, La Maupin)

We fencers are badddasssss

rebel6:

by Martin McKenna
The fallen god of Time.

The fallen god of Time.

matergaia:

thanamors:

My mythology teacher is making me SO MAD. Thanatos is pretty unhappy too.

He’s calling the first Greek gods ‘crude’. Including Thanatos’ generation and his mother.

He called Athena a ‘chick’. Which is pretty offensive even if you’re saying it to a HUMAN WOMAN.

Overemphasizing Hercules.

This is…

Ah ah Thanatos, we’re crude. Your teacher is incredible, seriously. I wonder if his speeches have a foundation, because I find this disturbing. Okay, they were very old being and the were hard to understand, they were less human and more “divine”.
What I want to understand is if your teacher with “first Gods” means also Chronos and the Titans.
Under his reign the golden age flourished, by passing it to the writings of many religions as the best period of humanity. Is it crude? I don’t think so.
The Olympians weren’t the best gods around, but they were easy to understand beacause they were
very similar to humans. That doesn’t meant that Zeus was and idiot and Athena was a chick. Okay I don’t like her, but “chick” isn’t the right word to describe her.

(SORRY FOR BAD ENGLISH *sigh*)

You guys should have been in my trip of a Greek and Roman Mythology class.  We had to watch Zeus “pleasure” Eurydice.  In the form of a fly.  And then listen to a dramatic rendition of Zeus’s love for Ganymede, narrated by an ancient British man, who waxes poetic about the jailbait cupbearer’s you-know-what.

And that was just the first week.

http://www.youtube.com/watch?v=yi6SDINpeTw&feature=results_video&playnext=1&list=PL58E19EEE49696137

“Romances between mortals and gods never end well. If you see a god, run for the hills!” - My ever wise professor

Summary of the GrecoRoman Mythology class: Gods rape people.  Zeus has no standards, and puts Loki to shame.  Young maidens should watch out for flies.  French opera is really weird.  

Summary of my Russian Myths and Legends class: Everything is the Devil, and the Devil is everywhere.  Even in bread.  Oh, and throw your black cats and dogs outside during a thunderstorm, because they’re unholy too and the lightning is Saint Elijah riding around smiting demons, and it’d be nicer if your hut didn’t burn to a crisp.

STORY OF MAH LIFFFFE

STORY OF MAH LIFFFFE

luxettenebris:

First, I want to get this out of the way: just because I personally view Danza Azteca as a spiritual practice doesn’t mean every danzante does—there are catholics and people of other faiths who dance simply as a means to connect with their heritage and culture, without actually believing in the…